20070228

New Digitech Jam Man came today



The Digitech Jam Man came from Stompbox Music in OR. Its wonderfull it may take some time to get used to the setting up of things but the possiblites lend themselfs to very flexable creativity with many layers and wonderfull textures to use on the nylon gutiar. I think I will have some very cool sounds comming soon. It will allow me to capture some very unique textures and layes for some very cool mood music as well as rythems.

Ottmar Lieberts Studio


studio1
Originally uploaded by o2ma.



O man what a beautiful and clean studio. I would like to record in a studio like this someday. Or have one set up in our new home someday. Ottmar has it very nicley. Very clean and awsome gear.

20070225

The Dream Guitar Set Up


IMG_8788.JPG
Originally uploaded by o2ma.

Ottmar Lieberts Jam Man stuff - untested


New stuff - untested
Originally uploaded by o2ma.

20 In Apple Display for Studio

Jam Man by Digatech



click above title to hear what the jam man can do on there web page.
When we invented the PDS8000 pedal almost twenty years ago, it stored eight seconds of audio. Now we’ve reinvented it using removable CompactFlash™ memory to store up to 6.5 hours*! A wide range of features combined with ease of use make the DigiTech® JamMan® the perfect looper/phrase sampler for practicing, composing, and performing.

The JamMan opens up new horizons to your musical explorations. The possibilities are literally endless, endless, endless…!

Save up to 99 independent loops at one time.
Store over 24 minutes of looping time on the included CompactFlash card. Upgrade to a 2GB card to store up to 6.5 hours of audio!
Connect to your computer via USB and never lose another loop ever again!
Record rhythm loops and solo over them on the fly, completely Hands-Free™.
Load up the JamMan with bass lines, drums, harmonies, and more; create an entire backup band.
Slow down or speed up any song without changing pitch to master that tricky riff.
*With optional 2GB card

20070223

Water


Water
Originally uploaded by v2or.

Pine cone


Pine cone
Originally uploaded by v2or.

Blue sky


Blue sky
Originally uploaded by v2or.

Just Love the sky miss it out hear.

20070220

Oh How I miss Beconridge CO


100_0070
Originally uploaded by v2or.

It was so much fun to be with Kathy up in Beconridge CO

20070219

More Marillion





Marillion Now on iTunes got this one and orded a few more


Between You and Me
Quartz
Map of the World
When I Meet God
The Fruit of the Wild Rose
Separated Out
This is the 21st Century
If My Heart Were a Ball it Would Roll Uphill

Victor at the Lighthouse Network booth NRB 2007

20070217

Night at NRB





Were at the NRB Confrence in Orlando





Well we all made it down to the NRB in Orlando. Representing Lighthouse will be Karl Benzio, Victor Tarassov and Robert Jenkins from Treatment Solutions. Very exciting as well all get aclimated to this wonderfull event. Will Put pics up in the next day or so.

20070214

Sonoma Coast


sonoma growing up some and is a bit bigger she has gained four pounds. O i wish that all I gained.

Some new Pics with the Kodak Z710





cigar shop

v w/ cicar

iDefrag 1.6.1



Advanced defragmentation & optimization for Mac OS X
Supports the latest HFS features, including the Hot Zone.
Both off-line and on-line defragmentation.
$30.00
Mac and the Mac logo are trademarks of Apple Computer, Inc., registered in the U.S. and other countries.
System Requirements: Mac OS X 10.3.7 - 10.4, 450MHz PowerPC or better or Intel Mac, 512MB RAM. Supports internal and external disks. To defragment your boot volume, you need to boot from a different volume (except for on-line defragmentation feature). N.B. Some G5 machines with Western Digital hard disks may experience problems due to an unresolved hardware issue.

iDefrag Features

Supports Tiger filesystems
Send email notifications or make noises when done.
Supports HFS and HFS+ (Mac OS Extended).
Supports case sensitive and journaled filesystems.
Supports adaptive hot file clustering (“Hot Zone”).
Four powerful defragmentation algorithms:
Compact data, moving all free space to one place.
Optimize filesystem metadata.
On-line defragmentation.
Defragment whilst your disk is mounted.
Advanced programmable optimization.
Rearrange your disk the way you want.
B-Tree metadata file compaction/optimization support.
High performance user-defined file classification engine.
Per-block and accurate whole disk display.
Detailed statistics so you know whether you need to optimize.
Inspector allows you to view details of individual extents/files.
Quickly jump to specific files to examine them in more detail.
Altivec accelerated display for improved performance.
Auto-update feature ensures you always have the latest version.
AppleScript support.

20070213

New Camera Kodak Z710


Well on Sept 23 2006 my camera was stolen at our wedding and today we replaced the camera with a Kodak Z710 and it came with a Printer G600 Doc for 249.00 This was a present from Kathy on Valentines Day. I will be using the camera for my work with Lighthouse Network and Palm Studios
"Highest in Customer Satisfaction with Digital Cameras—$200-$399, Three Years in a Row"
Eastman Kodak Company received the highest numerical score among digital cameras in the $200-$399 price segment in the proprietary J.D. Power and Associates 2004-2006 Digital Camera Satisfaction StudySM. Study was based on a total of 5802 responses measuring opinions of digital camera owners on 11 brands. Proprietary study results are based on experiences and perceptions of consumers surveyed in July 2006. Your experiences may vary. Visit jdpower.com.
Check out the award-recognized line of cameras
KODAK and SCHNEIDER-KREUZNACH - two great companies are teaming up to give the most discerning camera photographers some really wonderful optical capabilities.

Schneider-Kreuznach has a wealth of knowledge and experience in high-quality optics. Kodak is a leader in color science and imaging technologies. Together we have combined our strengths to take your digital picture-taking experience to the next level. How you might ask? Since the mid 50s, Variogon has been the brand name of a very successful zoom lens system made by Schneider-Kreuznach. History of success


The "Variogon" lens

KODAK EASYSHARE Zoom Digital Cameras
SCHNEIDER-KREUZNACH Variogon lenses Because of its success
and longevity in the marketplace, this zoom lens system is currently being used in several
Kodak EasyShare zoom digital cameras.
7.1 MP for great quality prints

7.1 MP for unbelievable print quality up to 30 × 40 in. (76 × 102 cm)
More pixels means you can crop and enlarge, and still have great image quality
KODAK Color Science Chip delivers rich, vibrant color under a variety of lighting conditions
However you choose to print, KODAK provides quality that’s truly exceptional and pictures that will last
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Power and professional quality engineering combine for exceptional results

Zoom in 10X to get crisp shots with the professional quality SCHNEIDER-KREUZNACH VARIOGON optical zoom lens
Get even closer with 5X digital zoom for 50X total zoom
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View and share your pictures with brilliance and clarity

The 2.0 in. (5.0 cm) LCD display and electronic viewfinder let you accurately compose your subject matter and evaluate the details of your picture
Auto picture rotation automatically displays all your pictures right-side-up for viewing
In review mode, quickly magnify up to 8X, fast scroll through pictures, or view multi-up
32 MB internal memory* plus SD/MMC card expansion slot let you keep shooting longer
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PASM Mode—get the shot the way you want it

For those times when you feel like flexing a little more creative muscle try the PASM modes. You can experiment with various exposure controls to get the look you are after. Take control of the amount of light coming into the camera by changing the aperture (A), or length of time the shutter stays open (S), or take total exposure control by manually selecting both aperture and shutter speed (M). The PASM modes put you as in charge as you want to be.

Program, aperture priority, shutter priority, and full manual modes
Program mode (P)—camera sets optimal shutter speed and aperture combination
Aperture priority mode (A)—you choose aperture, the camera sets shutter speed
Shutter priority mode (S)—you choose shutter speed, the camera sets aperture
Manual mode (M)—you choose both the aperture and shutter speed
Manual (M) Controls
Exposure compensation—±2.0 EV in 1/3 EV step increments
Aperture—f/2.8–f/3.7
Shutter speeds—8–1/1000 sec. in 1/3 step increments
ISO sensitivity—auto, 64, 100, 200, 400, 800** (selectable)
Auto focus—TTL multi-zone AF, center zone AF
Exposure metering type—multi-pattern, center-weighted, center spot
White balance—auto, daylight, tungsten, fluorescent, and open shade
Flash mode—auto, off, fill, red-eye reduction
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Picture enhancing and editing features

Capture consistently great shots by utilizing features such as on-camera cropping and a capture grid line display. Get exceptional results by activating on-camera picture enhancing features including histogram and digital red-eye reduction.

Capture grid line display
A selectable grid line display helps with image composition, especially for taking shots of buildings or landscapes.

Histogram feature
Verify the exposure of your picture using the histogram feature on live view, quick view, and review

Multiple scene modes
Portrait modes—portrait, self-portrait, night portrait, backlight
Landscape modes—landscape, night landscape, fireworks
Bright scene modes—beach and snow
Action modes—sport and children
Close-up mode—flower
Candlelight mode—for low light scenes lit by candle
Party mode—use for photos of people in indoor setting in lower light
Text/Documents mode—ensures sharp text when photographing documents
Manner/Museum mode—use when sound or flash are not desired
5 color modes
High color
Natural color
Low color
Black and white
Sepia
Catch all the action with continuous video
Choose settings for VGA (640 × 480 pixel resolution) at 10.5 fps, or QVGA (320 × 240 pixel resolution) at 20 fps
Capture up to 80 minutes continuous video with audio, based on memory capacity
Share universally with QUICKTIME Video Format
Continuous shooting modes
First burst mode—captures up to 3 frames in rapid succession at approximately 2 fps
Last burst mode—captures up to 30 frames at approximately 2 fps, with the last 3 frames saved
The auto focus system with assist lamp helps capture consistently crisp, sharp pictures even in low light
Exclusive KODAK Color Science Image Processing Chip
Capture natural details, accurate flesh tones, and breathtaking color with the KODAK Color Science Chip
A new high speed digital processor chip, advanced algorithms, and hardware acceleration features let the Z710 make simultaneous, split-second decisions to produce rich, vibrant, true to life colors in almost any lighting situation
Each time you click the shutter, the KODAK Color Science Chip performs an instantaneous and advanced analysis of collected scene data to identify and adjust multiple factors that influence picture quality
Scene light source is detected and adjustments are made to capture bright whites and true, vivid colors under difficult lighting conditions—fluorescent, tungsten, or daylight
Scene content is analyzed for luminance, focal distance, subject matter orientation, and color to determine the correct exposure and capture the natural details, accurate flesh tones, and rich colors you see in your composition
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Sharing made simple

The KODAK EASYSHARE Z710 Camera lets you print, e-mail, and organize your pictures with a simple touch of the on-camera Share button.

On-camera Share button
Sharing starts right on the back of the camera
Have a picture you want to share? Tag it using the exclusive on-camera Share button and it will be ready to print or e-mail later
Use the Favorites feature to keep your special pictures close
KODAK EASYSHARE Software (included)
The simple way to organize, print, and share. Revolutionary Pictures First design for an enjoyable viewing experience.

Photo greeting card templates make 4 × 6 in. (10 × 15 cm) announcements, invitations, and holiday cards, right at home
Automatically print better, brighter pictures with KODAK PERFECT TOUCH Technology and our award-winning KODAK Printers and Printer Docks
Rename files, reorganize directories, and make other changes—the software keeps track
Creative Projects tab for personalized photo greeting cards, books, and gifts
KODAK EASYSHARE Camera Dock Series 3 (optional accessory)
Transfers your pictures and charges your battery at the touch of a button
Instantly uploads pictures to your computer for viewing, printing, and e-mailing
Charges your KODAK Camera Battery in less than 3.5 hours***
USB connection (USB 2.0 compatible)
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Simple ways to print your pictures at home

Real KODAK Pictures are just a touch away with our convenient home printing options.

KODAK EASYSHARE Printer Docks (optional accessory)
High quality, real KODAK Pictures in seconds with the touch of a button
Worry-free prints—get waterproof, stain resistant, wipeable prints that last a lifetime**** with KODAK XTRALIFE™ Lamination
Compact and portable so you can take the fun with you for anytime, anywhere picture printing and sharing
Recharges your KODAK Camera Battery in 3.5 hours or less*****
KODAK EASYSHARE Photo Printer 500 (optional accessory)
Print real KODAK Pictures from digital media cards and USB devices, including PictBridge-enabled digital cameras
View and edit on the large 3.5 in. (8.9 cm) display
Works with or without a computer
Features KODAK PERFECT TOUCH Technology for better, brighter prints
Features red-eye reduction
Wireless capability (Wi-Fi ready******, BLUETOOTH® Wireless Technology enabled)
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Ready to go—right out of the box

Unpack the Z710 and you’re ready to shoot. It doesn’t get any easier.

KODAK EASYSHARE Z710 Zoom Digital Camera
KODAK Lithium Digital Camera Battery, CRV3 or equivalent
USB cable
Lens cap with strap
Carrying strap
KODAK EASYSHARE Software
Getting Started Guide
Custom camera insert for optional KODAK EASYSHARE Camera and Printer Docks
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* 32 MB internal memory/27 MB available for picture storage (1 MB equals one million bytes).
** ISO 800 available only with 1.9 MP setting.
*** Actual battery charging time may vary by camera model.
**** Under typical home display conditions.
***** Actual battery charging time may vary by camera model; rechargeable battery not included in all camera models.
****** With the optional KODAK WI-FI® Card.

Home | Privacy (Dec 2006) | Site Terms | Affiliate Program | Investor Center | Blogs

Specifications
Standard features
Sensor type
1/2.5 in. CCD
CCD total pixels
7.4 MP (3152 × 2342)
Effective pixels
7.1 MP (3082 × 2314)
Lens
38–380 mm (35 mm equiv.) f/2.8–f/3.7 SCHNEIDER-KREUZNACH VARIOGON Lens
Zoom
10X optical, 5X advanced digital zoom, total zoom range 50X
Shutter speed
8–1/1000 sec. in 1/3 step increments
LCD
2.0 in. (5.0 cm) indoor/outdoor color TFT display
Viewfinder
high resolution (201K pixels), electronic
Storage
32 MB internal memory* available, SD/MMC card expansion slot
Auto focus
Type
TTL imager AF system
Auto focus modes
normal AF, macro AF, infinity AF
Focus range
normal (wide): 2.0 ft (0.6 m)–infinity, tele: 6.6 ft (2.0 m)–infinity
macro (wide): 4.7 in.–2.3 ft (12–70 cm), tele: 3.9–6.9 ft (1.2–2.1 m)
infinity (wide): 65 ft (20 m)–infinity, tele: 65 ft (20 m)–infinity
Auto focus control
single, continuous
Auto focus zones
TTL multi-zone AF, center zone AF
AF assist light
yes
Exposure control
ISO sensitivity
auto, 64, 100, 200, 400, 800**
Metering modes
multi-pattern, center-weighted, center spot
Compensation
±2.0 EV with 1/3 EV steps
AE lock
when shutter button is pressed halfway
Histogram display
yes
White balance
auto, daylight, tungsten, fluorescent, open shade
Flash
Guide no.
10.6 (ISO 100)
Range
wide, ISO auto: 2.0–16.1 ft (0.6–4.9 m)
tele, ISO auto: 6.6–12.1 ft (2.0–3.7 m)
Modes
auto, fill, off, red eye reduction
Shooting specifications
Drive modes
single shot, self-timer (10 sec.), two-shot self-timer (10 sec.), delay shutter (2 sec.), first burst (approx. 1.7 fps up to 3 frames), last burst (approx. 1.7 fps last 3 frames)
Shooting modes
auto, sport, portrait, night shot, SCN (scene), P (program), A (aperture priority), S (shutter priority), M (manual), video
Scene modes
sport, portrait, night shot, landscape, flower, backlight, candlelight, manner/museum, text, beach, snow, fireworks, children, party, night portrait, night landscape, self portrait
Still capture
Still format
JPEG/EXIF v2.21
Picture size
7.1 MP—best (3072 × 2304), prints up to 30 × 40 in. (76 × 102 cm)
6.3 MP—best 3:2 (3072 × 2048), optimized ratio for 4 × 6 in. (10 × 15 cm) prints
5.0 MP—better (2592 × 1944), prints up to 20 × 30 in. (50 × 76 cm)
3.1 MP—good (2048 × 1536), prints up to 8 × 10 in. (20 × 25 cm)
1.9 MP—e-mail (1600 × 1200), small prints
Color modes
high color, natural color (default), low color, sepia, black and white
Sharpness
high, normal (default), low
Review options
single, magnification with pan, multi-up, slide show
Editing
crop
File management
album, copy, protect, delete
Video capture
Format
QUICKTIME
Quality
VGA (640 × 480) at 10.5 fps, QVGA (320 × 240) at 20 fps
Length
continuous up to 80 min. based on memory capacity
Review options
play, pause, multi-up, slide show
Customization
Custom settings
quick view, capture frame grid, advanced digital zoom, print warning, sound theme, sound volume, mode description, auto power off, date & time, video out, orientation sensor, date stamp, video date display, language, format
Sharing
Favorites
slide show, multi-up, remove Favorites, set up menu
Share
print, print all, e-mail, Favorites, cancel print
Physical specifications
I/O interface
A/V output (NTSC or PAL, user selectable), exclusive KODAK Camera Dock/Printer Dock interface, digital (USB 2.0) connector
Power
optional KODAK EASYSHARE Docks with KODAK Ni-MH Rechargeable Battery Pack; 2 AA lithium batteries or 1 lithium battery CRV3; 3 volt DC
Tripod mount
¼ in. standard
Dimensions
W × H × D: 3.8 × 3.1 × 2.9 in. (97.8 × 77.5 × 72.6 mm)
Weight
10.1 oz (285 g) without batteries and memory card
Compatibility
Dock compatibility
See the Dock Compatibility Chart
Direct printing
KODAK EASYSHARE Photo Printer 500, IMAGELINK print system compatible, PictBridge-enabled
Software
works with KODAK EASYSHARE Software
Warranty
one year
Package Contents
KODAK EASYSHARE Z710 Zoom Digital Camera
KODAK Lithium Digital Camera Battery, CRV3 or equivalent
USB cable
Lens cap with strap
Carrying strap
KODAK EASYSHARE Software
Getting Started Guide
Custom camera insert for optional KODAK EASYSHARE Camera and Printer Docks
System Requirements
WINDOWS
MACINTOSH
Hardware
WINDOWS XP
INTERNET EXPLORER 6.0 or higher
MACINTOSH OS X 10.3 or higher
SAFARI 1.1 or higher
600 MHz processor or greater
128 MB RAM
200 MB hard drive disk space available
CD-ROM drive
Available USB port
Color monitor, 800 × 600 display resolution, 16-bit minimum
* 32 MB internal memory/27 MB available for picture storage (1 MB equals one million bytes).
** ISO 800 available only with 1.9 MP setting.

kathy takes a pouty break

20070209

Machine uses Logic 7 Pro



Machine: Fine-Tuned

By Dustin Driver

If you want to create the perfect album, it seems logical to go to a guy who calls himself Machine. Sure, he’s got the perfect name for the job, but he also happens to be one of the best producers in the business. He’s shaped hit bands like Fall Out Boy, Armor for Sleep, Eighteen Visions, and most recently, Grammy-nominated masters of metal Lamb of God. But Machine is much more than just a rock producer. In fact, he despises your typical, cookie-cutter rock recording. He’s a master of musical matchmaking, drawing the best sound out of every band, regardless of the kind of music they play.

“When I met Lamb of God I told them how much I didn’t like your typical metal recording,” he says. “That got me the gig. You can’t take the metal out of Lamb of God. They are metal. But they wanted a different sound to their metal. And it worked.” The band’s “Sacrament” stormed the Billboard charts, hitting number 8 during the first week of its release. A song from the album, “Redneck,” has been nominated for a Grammy in the Best Metal Performance category.

Machine is a monster in the studio, squeezing awe-inspiring performances out of bands. He’s also a mindreader. He absorbs a band’s vibe, spins it around in his head, and produces albums that expose a band’s inner workings. “A great producer has the ability to tap into what’s special about something,” he says. “I’m tapping into other peoples’ passions.”

To accurately portray that passion, Machine uses a Mac Pro running Logic Pro chained to Apogee interface gear — creating a fully native recording solution. “I’m always looking to make a better record and Macs have always been the better computers for making music,” he says. “I’ve always used Logic. These are my tools — they’re solid and they simply work.”

Natural Progression
Machine was practically born a musicmaker. Both his parents are classical musicians by trade and the young Machine was immersed in notes, scales, chords, and meters. When he hit high school he grabbed a pair of drum sticks and a guitar and started rockin’. Then came the four-track and eight-track recording decks. “I got into recording as a way to get my music down,” he says. “It turned out that I was kind of a natural at it — I was really good at getting sound.”

Naturally, Machine found better and better machines to work with. In a short while he was programming drum loops for friends and hip hop artists in New Jersey using Notator, the precursor to Logic Pro. He was recording tracks for his friends using his newfound computer equipment. He was massaging tracks, mixing albums, and molding bands. He was, in every sense of the word, a producer. “But I didn’t know what a record producer was,” he says. “I was just recording and helping out bands. It was just what I did every day.”

Then he got hooked up with White Zombie. “I did a remix for them that went platinum,” he says. The doors flew open and suddenly Machine knew exactly what a record producer was. “V2 records had just started and I got a call from some people at the company,” says Machine. “He was looking for a producer and he hired me to work on a new act.”


Through word of mouth, and some awesome work, Machine nabbed a legit gig with a cutting-edge label and never looked back.

But wait. . . how did Machine get his name? “It’s a nickname I got while working as a bartender in college,” he says. “The boss gave me the name and it just stuck. It’s comical to me now, but I don’t regret using such a kooky name. It’s memorable and it’s been a big part of my career.”
Machine gets to the heart of a band and lets its sound spill out onto an album. “To me, a record producer is more like a director,” he says. “I’m in the studio like a movie director, getting it out of them. It’s about developing a level of trust and friendship. I’ve had people cry while they’re singing. I’ve had people get extremely angry. It produces a result.” The producer has tuned his ears to listen for emotion as well as perfect pitch. “I can listen to some records and tell you what the band was thinking when they made the record,” he says. “Having that ability is the most important thing for a producer.”

Tools are also important and when Machine lays down an album, he uses Logic Pro. The producer became hooked on the program early, when he was penning his own music. “Logic is a songwriter’s tool,” he says. “It’s a sound designer’s tool. It’s a music sequencer and it looks and acts like songwriting.” It’s also the producer’s primary sound recording device. “I record everything using Logic,” he says. “And now I’m using the Apogee Symphony system with Logic. It allows you to connect to any Apogee converter and run 9624 kHz, high-definition audio really fast. There’s basically no delay. It feels like real-time recording, which is a huge deal to me. It’s really the perfect native solution for the Mac.” Logic Pro is at the core of everything Machine does. “When I go to work on tunes, I want Logic in front of me,” says Machine. “It’s my instrument.”


The trick in using that instrument, says Machine, is cutting tracks that don’t sound like they were cut on a computer. It’s a subtle skill, one that takes years of working with digital devices. “I’m almost anti-computer recording,” he says. “I’m sick of records sounding like technology. I love tools and I love technology, but I use the Mac and Logic as a tool to create great music. My work doesn’t sound like it was overly edited or overly tuned on the computer. It sounds just the way I want it to.”

Part of the Herd
Machine wants the records he produces to fit the act he’s working with. He wants albums that move, inspire, and, generally, rock. Again, it’s all about the band. “I get a band and I look at them,” he says. “I look at what they’re into, their fan base, and I design a record that fits.”

The best way to know a band is to become part of a band. When heavy metal masterminds Lamb of God asked Machine to produce their album, he effectively joined the herd. “They really treated me more like a band member than a producer,” says Machine. “And that really is the only way to get an awesome album out of a band.”

Lamb of God (and the band that spawned it, Burn the Priest) has cranked out seven records in almost 15 years of rocking. The band is at the nucleus of American heavy metal and is one of the hardest-working outfits in music. “They are the most disciplined, serious group of guys you’ve ever seen,” says Machine. “They are non-stop, always on tour, always making albums.” Machine spent countless late nights working with the meticulous band, creating “Sacrament,” an album that was unlike anything the band had ever recorded.

“On your typical metal album, the drums sound like a drum machine,” says the producer. “You can’t hear the bass guitar, the guitars are seriously scooped in the mids and nobody pays attention to the vocals.” “Sacrament” was still metal, but it wasn’t typical metal. Machine recorded original drum performances and instead of looping a few perfect hits, he quantized every hit in the performance. The drums were perfectly timed, but they weren’t artificial. Bass guitar and vocals were pulled out and refined. The approach yielded a hit album and propelled Lamb of God to a Grammy nomination.

A Rockin’ Career
Machine is electrified by the Grammy nomination, but it’s just one step in his career. “I’m blessed,” he says. “I get to be in many bands. I get to join them briefly for a limited time and work with them as a member. And as long as I can keep putting out great records with them, I can have an endless career.”

The producer is currently working on a remix for hip-hop stars Gym Class Heroes, proving that he’s not just a great rock and metal man. He’s also using his songwriting chops to crank out songs with pop artists. “In the future I want to work with bands that want to develop,” he says. And as always, he wants to remain malleable. “I pride myself on being the producer who doesn’t have a strict method or style or sound,” he says. “I want to keep designing sounds that work with specific bands. I want to keep coming up with different, great music.”

Bob NewHart

Oh What a good one fun fun fun!

Loby

Chairs

Kathy & Jim

Campus Crusade Feb 2007 Life Options Confrence